Praise for
And to Ecstasy
Mossammaparast’s voice is ‘a raspberry burst, / catching us off-guard’. Wildly itinerant, always incisive, And to Ecstasy is a radiant second collection that weighs the poet’s myriad moorings to illuminate the contingencies of anchorage, the soul’s cartography. These poems are a compelling injunction against ‘the brittle lodgings of fear’ and a questing celebration of the numinous.
—Jaya Savige
Mossammaparast dispels any credence that a sophomore collection may struggle to live up to a brilliant debut. Here, the opposite is true. I should know. And to Ecstasy uses language shrewdly – cartographically, even – to compose a unique marvel of language, a bricolage of yesses and wants and plane tickets that not only plumb how limber time and recollection are, but the physical spaces these human interpretations bubble out in real time. Her lines are titanium-sturdy. And they’re dressed fabulously. They focus her observations as acute or more than what the Tytonidae and Strigidae families achieve: hunting, preying and spiralling over an elemental vastness deep in the fractal that is the author.
—Kent MacCarter, Director, Cordite Publishing Inc.
As the scope of poems in the volume demonstrates, That Sight exemplifies the thrilling possibilities and futures for Australian writing—simultaneously looking inward and outward across cultures and identities that are inherited and inhabited, borrowed and assigned. Marjon Mossammaparast is to be congratulated for her outstanding first volume that impressed itself on the judges in compelling ways. Mossammaparast’s is a unique voice in contemporary Australian Literature, and one that we look forward to hearing more from in the future.
—The Mary Gilmore Award Citation 2019