{"title":"All","description":"","products":[{"product_id":"imaginative-possession-learning-to-live-in-the-antipodes","title":"Imaginative Possession: Learning to Live in the Antipodes","description":"\u003cp\u003e\u003cstrong\u003eAbout the Book:\u003c\/strong\u003e\u003cbr\u003eWondering how migrants can fully settle on this ancient continent, Belinda Probert bought a property in the “country” to observe things more closely and learn to garden differently.\u003c\/p\u003e\n\u003cp\u003eAt a time when many easy assumptions about how we live and how our society functions are being questioned there is room for contemplation of a country that is ancient, occupied for at least sixty thousand years, and young, a national federation for only twelve decades.\u003c\/p\u003e\n\u003cp\u003eBelinda Probert, a migrant from England, sets out to question in words and action how well she understands the landscapes she has seen and the people that have shaped them. She takes with her a set of writers who have asked the same questions, or provided interpretations of our sense of belonging, to test their words against her own emerging views. Wondering how a nation of immigrants can fully settle here she decided she needed to buy a property in the ‘country’ so she could observe it more closely, and learn to garden differently. Trees fell on her, ants bit her, bowerbirds stole her crops, but from the exercise she discovers much more about soil, trees, water, animals and protecting herself from fire emergencies. Driving back and forth she learns to see the ancient heritage all around us, and rural industries that have destroyed and created so much. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eBelinda Probert\u003c\/strong\u003e grew up in the Weald of Kent, wanting to be a sheep farmer. After a PhD on the Troubles in Northern Ireland she accepted a job at the newly opened Murdoch University in Western Australia to teach peace and conflict studies \/ social and political theory and explore her Australian family connections. She is the author of books about Northern Ireland, gender equity, and Working Life: Arguments about Work in Australian Society.\u003c\/p\u003e\n\u003cp\u003e\"Wanting to belong forms the root system of Belinda Probert’s Imaginative Possession, marking the terrain – how can she, as an immigrant, ever feel at home in Australia? – and producing shoots of longing for the landscapes of her English childhood. Even now, forty-five years after arriving in Perth to take up a teaching position at Murdoch University, after which she lived briefly in Adelaide before raising a family in Melbourne, that question lingers. Specifically, given that she feels at ease with the people and culture, why does she still feel needled by the natural environment? To explore this, Probert employs the triple treat of academia, bibliophilia, and gardening nous. Perhaps leaving Melbourne will make her feel more congruent with the country, an impulse that sees her, in her early sixties, buying a rural property in the Otways. Or maybe, despite the wealth of knowledge she gains there, it won’t.\"\u003cbr\u003e\u003cstrong\u003e— Paul Dalgarno, Australian Book Review, September 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Thirty-five years after migrating to Australia from London, educator and social scientist Belinda Probert is still struggling to feel at home in a country that is so ancient and so unlike the pastoral England of her childhood. Believing that to feel at home in Australia she must first feel at home in its landscapes, Probert purchases a 28-acre piece of land in south-western Victoria and sets out to create her own garden. Thankfully, the resulting book is much more than a collection of gardening anecdotes. Woven throughout her encounters with the flora and fauna of her garden (from kookaburras and a resident echidna to tiger snakes and leeches) are insights into bushfire measures and farming practices and considerations of the ancientness of the land and its cultures. Yet what proves most valuable in Probert’s quest to ‘imaginatively possess’ her adopted country is a close reading of the works of prominent Australians interested in the same questions of belonging, from George Seddon to Kim Mahood. Ultimately it is Probert’s own enthusiasm for transcending personal and collective preconceptions about the Australian landscape that allows her to explore alternative ways of belonging, such as social, cultural and political belonging. Acutely observed and deeply reflective, Imaginative Possession is a welcome addition to the necessary conversation happening around identity, ownership and the values that underpin our society.\" \u003cbr\u003e\u003cstrong\u003e— Jacqui Davies, June 2021, \u003c\/strong\u003eJacqui Davies is a freelance writer and reviewer based in South Australia\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"...Part memoir, part essay, part literary appreciation, \u003cem\u003eImaginative Possession\u003c\/em\u003e is a fascinating and thought provoking book that will get you thinking about what the Australian environment means to you...\"\u003cbr\u003e \u003cstrong\u003e— North Melbourne Books\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The result is a book of quiet personal introspection told with humour and self-deprecation. Probert has learned so much and is keen to share this with her readers. Her style is enormously approachable, and her writing is vibrant and compelling. Happily, Upswell Publishing saw a place for this kind of writing, and as readers, we are richer for sharing in the experience.\"\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e— Kara Nicolson, Readings Bookshop reviews\u003c\/strong\u003e \u003cbr\u003e(Full review here: https:\/\/lnkd.in\/ggY5SF4)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Reading Probert’s book is like sitting down with a wise, warm friend. Probert’s work skips seamlessly from the personal to the critical, drawing on work by people such as Bruce Pascoe and George Seddon, as she tackles her own steep learning curve, and broader issues related to colonialism, belong and conservation.\"\u003cbr\u003e\u003cstrong\u003e–Eliza Henry-Jones, ABC Organic magazine\u003c\/strong\u003e\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238582456375,"sku":null,"price":26.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/Imaginative-Possession-coverspread-1.jpg?v=1779074700"},{"product_id":"the-sweetest-fruits","title":"The Sweetest Fruits","description":"\u003cp\u003e\u003cstrong\u003eAbout the Book:\u003c\/strong\u003e\u003cbr\u003eWith brilliant sensitivity and an unstinting eye, The Sweetest Fruits illuminates three women’s tenacity and their struggles in a novel that circumnavigates the globe in the search for love, family, home and belonging. In The Sweetest Fruits, three women, Rosa, Alethea, and Setsu, tell the story of their life with Lafcadio Hearn (1850–1904), a globetrotting Greek-Irish writer best known as the author of America’s first Creole cookbook and for his many volumes about the folklore and ghost stories of Meiji Era Japan. In their own unorthodox ways, the three women are also intrepid travellers and explorers. Their accounts witness Hearn’s remarkable life but also seek to witness their own existence and luminous will to live unbounded by gender, race, and the mores of their time. Each is a gifted storyteller with her own precise reason for sharing her story, and together their voices offer a revealing, often contradictory portrait of Hearn.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003cbr\u003eMonique Truong\u003c\/strong\u003e is the Vietnamese American author of the bestselling, award-winning novels The Book of Salt, Bitter in the Mouth and The Sweetest Fruits. 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Terri-ann is a writer of fiction and non-fiction and a serious enthusiast of dance and music and visual arts, as well as literature that extends boundaries of how stories are told and language is worked.\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238582521911,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/Upswell_book_Finding-Theodore-and-Brina.jpg?v=1779074702"},{"product_id":"night-and-day-stories-and-fragments","title":"Night and Day: stories and fragments","description":"\u003cp\u003e(Fremantle Arts Centre Press, 1994)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Book:\u003cbr\u003e\u003c\/strong\u003eA cityscape, a city of people, and their stories-—stories which build piece by piece into a larger, but not altogether complete picture. And at the epicentre of it all is a park, a shared space, a meeting place. Behind the stories the observant eye, tracking the action, listening: a figure, sometimes in shadow, sometimes at the centre of attention, telling and retelling of the lives, hopes and fears within this small community. These are stories of passion: the passion of place, the passion of everyday routine and experience, and the electric current of sexual desire and opportunity running through the lives of the people who call this place home. Terri-nn White’s first collection of stories brings these various elements into play, creating a rich and lively montage of inner city life; all of which is imaginatively echoed and responded to by the images of Alison Rowley.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003cbr\u003eTerri-ann White\u003c\/strong\u003e is founding publisher at Upswell, and was previously Director and Publisher at UWA Publishing 2006--2020. 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Terri-ann is a writer of fiction and non-fiction and a serious enthusiast of dance and music and visual arts, as well as literature that extends boundaries of how stories are told and language is worked.\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238582554679,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/Upswell_book_Night-and-Day.jpg?v=1779074704"},{"product_id":"the-blacksmith-s-daughter","title":"The Blacksmith’s Daughter","description":"\u003cp\u003e\u003cstrong\u003eAbout the Book:\u003c\/strong\u003e \u003cbr\u003e(\u003ci\u003eTranslated by Ayça Türkoglu and Katy Derbyshire)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eA close-knit family is transformed forever when its matriarch tragically dies, leaving behind a husband, Timur the blacksmith, and their three young daughters. \u003ci\u003eThe Blacksmith’s Daughter\u003c\/i\u003e follows the life of the eldest daughter, Gül, who is growing up in rural Turkey in the 1940s and ’50s.\u003c\/p\u003e\n\u003cp\u003eWhen Timur remarries, the girls’ new stepmother has none of their mother’s warmth, so Gül feels compelled to take on the role of mother to her younger siblings. 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Delia’s life was isolated and often lonely in an overpoweringly masculine world. She decided to name the monkey JT Jr and study her interactions with humans; a long-frustrated desire to adopt a child led her to also lose her heart to this lovable animal. This relationship with a feisty, intelligent Vervet unlocked Delia’s latent talents of research and observation, anticipating both Jane Goodall’s chimpanzee writings and Margaret Mead’s Samoan ethnographies. It illuminates much about human-animal relations and the tyranny of gender inequality by reinstating an obscured story of a dedicated amateur primatologist. Iain McCalman uses records, official and informal, to build a story of passionate love and hate among women, men, animals and museums that predates our times but speaks to our present.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout the Author: \u003cbr\u003e\u003c\/b\u003e\u003cstrong\u003eIain McCalman\u003c\/strong\u003e is a historian with a strong sense of how narrative transforms us. His most recent books are \u003ci\u003eDarwin’s Armada\u003c\/i\u003e (2009) and \u003ci\u003eThe Reef— A Passionate History\u003c\/i\u003e (2013), both highly acclaimed and prizewinning. Iain has recently retired from academic life. 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Sue teaches creative writing at Victoria University in Wellington, and holds a PhD and Masters in Creative Writing from that university. In 2016, she established a creative writing programme for Women’s Refuge in Auckland. On moving to Wellington in 2018, she joined the Write Where You Are Charitable Trust to teach creative writing in Wellington prisons and women’s refuges.\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238582652983,"sku":null,"price":29.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/2253_UP_Loop-tracks-coverswebsite.png?v=1779074707"},{"product_id":"and-to-ecstasy","title":"And to Ecstasy","description":"\u003cp\u003e\u003cstrong\u003eSHORTLISTED FOR THE 2023 NSW Premier's Literary Awards.\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003eJudges' Comments \"\u003cem\u003eAnd to Ecstasy \u003c\/em\u003eis a work of witness to the layered spaces of history: ‘a voice singing to itself \/ above the spectacle of flame’. Agile and attentive, these poems map transits, moving between named and nameless places, ‘breath[ing] the momentary’ but probing beyond the corporeal and material to consider the spectral and spiritual. Open to mystery and discovery, the poems are openings, invitations to consider the flickering and provisional nature of human lives.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAnd to Ecstasy \u003c\/em\u003ebegins with the body in motion, expanding into the metaphysical and mystical. Mossammaparast’s is a poetic voice of great inventiveness and integrity. The poems are fresh and vital as they explore the transnational and political in novel ways. Mobile fragments suggest the exilic, while returns and echoes evoke forms of repair the work moves towards in its embrace of the ecstatic. Translation, transition and transcendence recur as motifs in this exhilarating collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Book:\u003c\/strong\u003e \u003cbr\u003e\u003ci\u003eAnd To Ecstasy\u003c\/i\u003e is a poetic journey through space and time, projecting a transcendental element of reality. In her exquisite poems, Marjon Mossammaparast explores the physical experience of being human, bound to four dimensions, matching it with the belief we are also spirit beings. At its core, this work contemplates the desire to move beyond the limitations of bodies, and into an expanded metaphysical notion of identity, carried by intuition.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e In its arrangement in three parts, the poet uses displaced fragments and mere glimpses; through call and response of landscapes and countries, there is a constancy and insistence of reconciliation. This is the language of the exile: not just geographically transposed, but through a spirit constrained by the physical and seeking return home— \"Where all that is vibrant vibrates beyond the sticking place of names to the borderfields where signs change their value: \u003ci\u003eSplit a piece of wood, and I am there; lift up the stone, and you will find me.\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003c\/strong\u003e ­\u003cbr\u003eMarjon Mossammaparast is a secondary school teacher of English residing in Melbourne. Her poetry has been published in \u003ci\u003eThe Weekend Australian Review\u003c\/i\u003e, \u003ci\u003eSoutherly\u003c\/i\u003e, \u003ci\u003eIsland\u003c\/i\u003e, \u003ci\u003eMascara Literary Review\u003c\/i\u003e, \u003ci\u003eContrappasso\u003c\/i\u003e and \u003ci\u003eAustralian Poetry Journal\u003c\/i\u003e, as well as \u003ci\u003eAntipodes\u003c\/i\u003e (US) and \u003ci\u003eThe Moth Magazine\u003c\/i\u003e (UK). 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These poems roil and scratch, exploring the precarious life of addiction and its sleep deprivation. From an unsteady and unsavoury life, we are released into the joy of a recovery made through sheer hard work. Even in the disintegration, the poet points us towards love and carries tenderness every day in memory. Scott-Patrick Mitchell’s decades of spoken-word practice has enabled a fine tuning on the page when, for so many readers, we enter into an alien zone of unknowing.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Our lucent teeth spark the rainbow dark.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eHere, we do not use words like love.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eInstead, we speak with hands that hold\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eas shoulders tussle\u003c\/em\u003e \u003cem\u003ethe roughhouse rougher.\u003c\/em\u003e \u003cem\u003eIn the absence of daylight,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ewe are just two young men,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003esilent save for giggle and shoe scuff:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003e \u003cem\u003ewe do not rouse suspicion when touching\u003c\/em\u003e.\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout the Author:\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eScott-Patrick Mitchell \u003c\/b\u003eis a WA-based non-binary poet who is a guest on unceded Whadjuk Noongar land. 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One moment, it stutters, teetering on the brink, and the next it transfigures loss in radiant dreamscapes, restoring ardour amongst the ruins of allegory. \u003ci\u003elanguish\u003c\/i\u003e is Campbell’s eleventh book across the forms of fiction, poetry and critical theory. Her writing is always charged by a poetics of feminist contestation.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAbout the Author:\u003c\/strong\u003e\u003cbr\u003eFrom early childhood, Marion wanted to be a painter, but working with language, with its etymological boundlessness, its sonic texture, its rhythmic and imagistic transport, became an equally enthralling thing to do. Through her novels, Lines of Flight (1985), Not Being Miriam (1988), Prowler (1999), Shadow Thief (2006) and konkretion (2013); her works for theatre Dr Memory in the Dream Home (1990), Ariadne’s Understudies (1992) and The Half-Life of Creonite (2010); the poetry collections Fragments from a Paper Witch (2010), third body (2018); the critical monograph Poetic Revolutionaries: Intertextuality and Subversion (2013), the memoir The Man on the Mantelpiece (2018) and a range of other nonfiction publications, what’s driven her work is the compulsion to yield to the pull of language that unshackles from binary fixations, dissolves identity and sets in train the exhilaration of an endlessly metamorphic potential. Marion has taught literature and writing in various universities, including Murdoch University, the University of Melbourne and, most recently, at Deakin University. She now lives in Drouin in GunaiKurnai country with her two border collie companions.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCover artwork: Penny Coss\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238582751287,"sku":null,"price":24.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/2269_UP_Languish-front-coverfinal.jpg?v=1779074710"},{"product_id":"no-enemies-no-friends-restoring-australia-s-global-relevance","title":"No Enemies No Friends: Restoring Australia’s Global Relevance","description":"\u003cp\u003e\u003cstrong\u003eAbout the book:\u003cbr\u003e\u003c\/strong\u003eThe orthodoxy that increased defence spending will deliver increased national security confirms the status quo. But it does not help us to deal with shocks and surprises. How should Australia re-calibrate its national security settings to deal with global disruption?\u003c\/p\u003e\n\u003cp\u003eAustralia’s cultural and historical experiences have shaped our security thinking. Our mindset is built around interlocking pathologies: racism, misogyny, isolation, insecurity, a brashness that masks a deep lack of self-confidence, and the perverse effects of the cultural cringe.\u003c\/p\u003e\n\u003cp\u003eThis book is not about why Australia has become so good at getting things so bad. Rather, it suggests we have every capability to improve. It is less a lamentation for what might have been than a meditation on how to learn sure-footedness in our international affairs, in a new and less predictable world. We need to maintain a credible defence force, and invest in diplomacy to reduce our dependence on military force and defence alliances. This is crucial for the maintenance of our long-term security and confidence to become a significant international actor. \u003c\/p\u003e\n\u003cp\u003eAllan Behm has been thinking about international relations, national security and defence matters in the service of a strong democracy over his long career in public policy. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the author:\u003c\/strong\u003e \u003cbr\u003e\u003cb\u003eAllan Behm\u003c\/b\u003e specialises in political and security risk evaluation, policy analysis and development, and negotiating the policy\/politics interface.\u003c\/p\u003e\n\u003cp\u003eFollowing a career spanning nearly thirty years in the Australian Public Service, he was Chief of Staff to Minister for Climate Change and Industry Greg Combet (2009 to 2013) and senior advisor to the Shadow Minister for Foreign Affairs, Senator Penny Wong (2017–19). \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eNo, Minister – an insider’s account of what actually goes on in Parliament House\u003c\/i\u003e – was published by MUP in 2015. Allan Behm is Director, International \u0026amp; Security Affairs Program at The Australia Institute in Canberra.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eNo Enemies No Friends\u003c\/em\u003e, Allan Behm offers a forensic analysis of the “pathologies” of Australia's strategic mindset.\u003c\/p\u003e\n\u003cp\u003eUnlike so many of his contemporaries, Behm’s detailed and historically grounded explanation of that mindset engages in an important critique of the stale, self-reinforcing orthodoxy of Australia’s national security policy club.\u003c\/p\u003e\n\u003cp\u003eBehm skewers the false promise of deterrence, offers a blistering critique of Australia’s relationship with the United States and the recently announced AUKUS alliance, and makes a compelling argument for a complete overhaul of Australia’s engagement with our region.\u003c\/p\u003e\n\u003cp\u003eAnd unlike so many of his fellow club-members, Behm refuses to draw artificial boundaries between Australia’s domestic and international politics and history. \u003cem\u003eNo Enemies No Friends\u003c\/em\u003e faces the truth of Australia's racist history and present head on, showing how central that is to this country’s security mindset – and, critically, the reactionary and shameful role Australia plays in the world today. As Behm so clearly demonstrates, there’s no remedying Australia’s foreign policy morass without first coming to terms, collectively, with our past. It is only then that we might begin the radical reconceptualisation of Australian foreign and security policy that we so urgently need.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNo Enemies No Friends \u003c\/em\u003ecalls for a collective reckoning, and a collective renewal of leadership, ambition and imagination. The book outlines practical ways to begin such a transformation, without ever pretending that it would be easy or that one analyst alone could possibly have all the answers. In his embrace of that complexity, Behm offers real hope for a radically different future for this country and its place in the world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDr Emma Shortis RMIT University\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/PBOY-Shortlist-Poster--600x850.png?v=1779974723\" alt=\"\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238582784055,"sku":null,"price":29.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/2267_UP_No-Enemies-No-Friends_front-coverfinal.jpg?v=1779074710"},{"product_id":"fugitive","title":"Fugitive","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWinner of the Calibre Essay Prize 2022 \u003c\/strong\u003e\u003cspan\u003e(Australian Book Review)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Book:\u003c\/strong\u003e \u003cbr\u003eIn 1917, a young composer writes a suite of twenty pieces for piano. They are short, violent and strange, the music of another world. In 1938, a young Jewish family flees Italy for Sydney, Australia. In 1942, another family, this time Polish, are nearly destroyed. Half a century later, a young man begins to understand the role these strange visions have played in everything that came before him and all that has come to be. \u003cem\u003eFugitive\u003c\/em\u003e, Simon Tedeschi’s first book, straddles the borders of poetry and prose, fiction and fact, trauma and testimony, filled with what Russian poet Konstantin Balmont called the fickle play of rainbows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003c\/strong\u003e \u003cbr\u003eKnown primarily as a concert pianist, Simon Tedeschi has written for publications across Australia. When neither writing nor practising, he reads books and drinks coffee. He and his wife, the painter Loribelle Spirovski, live in Sydney, Australia with their cat. \u003ci\u003eFugitive\u003c\/i\u003e is his first book. Find more of his work \u003ca href=\"https:\/\/simontedeschi.com\/\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238582816823,"sku":null,"price":29.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/2254_UP_Fugitive-coverswebsite.png?v=1779074711"},{"product_id":"words-are-eagles-selected-writings-on-the-nature-language-of-place","title":"Words Are Eagles:  Selected Writings on the Nature \u0026 Language of Place","description":"\u003cp\u003e\u003cstrong\u003eAbout the Book:\u003c\/strong\u003e \u003cbr\u003e\u003ci\u003eWords Are Eagles: Selected Writings on the Nature \u0026amp; Language of Place\u003c\/i\u003e gathers Gregory Day’s beautiful and moving essays on the wonders of the natural world and the cultural complexities of writing landscape in Australia into one place.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eWords Are Eagles\u003c\/i\u003e sings with the heightened sense of place and natural world literacy that has long been key to Day’s work. Listening out always for the lost mythologies and languages of place, he tunes his attention to key motifs of ground and sky, ocean and owl, moth and river, while reading and celebrating the work of the resurgent global nature writing movement that has grown up since the publication of his first novel, \u003ci\u003eThe Patron Saint of Eels\u003c\/i\u003e, in 2005. \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eWords Are Eagles\u003c\/i\u003e entails the kind of nature writing that lies at the heart of what is now our urgent human need to fashion a more harmonious and regenerative relationship with the earth that sustains us.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eGregory Day\u003c\/strong\u003e is a novelist, poet and musician from the Eastern Otways region of southwest Victoria, Australia. He lives on Wadawurrung tabayl. Gregory has published five novels to date and has won many awards, including the Australian Literature Society Gold Medal, the Elizabeth Jolley Prize, the Manly Artist Book Award and the Alfred Deakin Medal. In 2019 Gregory’s most recent novel \u003cem\u003eA Sand Archive\u003c\/em\u003e was shortlisted for the Miles Franklin Award. In 2020 Gregory received the prestigious Patrick White Award for his ongoing body of work, and in 2021 he was awarded the Nature Conservancy Australia Nature Writing Prize for The Watergaw, an essay contained in this volume.  \u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238582849591,"sku":null,"price":29.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/2286_UP_Words-are-Eagles-front-cover.jpg?v=1779074713"},{"product_id":"life-with-birds-a-suburban-lyric","title":"Life with Birds: a suburban lyric","description":"\u003cp\u003e\u003cstrong\u003eAbout the Book:\u003cbr\u003e\u003c\/strong\u003e\u003ci\u003eLife with Birds\u003c\/i\u003e is about suburbs, families, secrets, silence and birds. It’s also about war. Not a story of heroism or healing trauma; more the trying to fill in gaps in a family story and re-animate a father never really known. Bronwyn Rennex uses whatever material she could find: old photographs, army records, conversations and Google searches.\u003c\/p\u003e\n\u003cp\u003eLife with Birds invests in the small scale, the domestic and the ordinary as an essential and overlooked part of Australian military history as an investigation of the disjunction between public and private experiences of the Vietnam war and its aftermath. It is personal, angry, political and it’s also funny, balancing a desire for some sort of testimony alongside a commitment to question how we talk about war. Told in fragments, it contains a mix of speculation, imagination and guesswork. The reader fills in gaps just as the author has had to. Rather than describing her mother’s grief at her father’s death, Rennex uses her love letters to him alongside her claim for a war widow’s pension. The shape of her love and loss lies between these documents.\u003c\/p\u003e\n\u003cp\u003eThis delicate and extraordinary commonplace book reflects the subtle and ongoing negotiations between individuals in a society. Following specific family experience, it resonates broadly on common themes of sadness, secrets, resilience and the unknowability of others – those things that defy our easy translation into coherence.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThat she can’t retrieve her father in any satisfactory way becomes part of the story, and perhaps its most crucial part; a failure that becomes a description of the author’s loss.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eBronwyn Rennex\u003c\/strong\u003e is a writer, artist and arts professional. She recently completed a Master of Arts (Research) in Creative Writing at the University of Sydney and awarded the Dr Colin Roderick Prize in Australian Literature, for the best thesis on a topic in Australian Literature. Her poems have been published in Cordite Poetry Review and her photographs have been exhibited widely and are held in private and public collections.\u003c\/p\u003e\n\u003cp\u003eUntil 2017, she was Co-Director of Stills Gallery in Sydney, where she worked with some of Australia’s most celebrated artists. More recently she has worked as an arts worker\/ consultant in Arnhem Land.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238582882359,"sku":null,"price":29.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/2284_UP_Life-with-Birds-front-cover.jpg?v=1779074714"},{"product_id":"hard-joy-life-and-writing","title":"Hard Joy: life and writing","description":"\u003cp\u003e\u003cstrong\u003eListen to Susan in conversation with Sarah Kanowski on \u003cem\u003eConversations (\u003c\/em\u003eABC-RN)\u003c\/strong\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.abc.net.au\/radio\/programs\/conversations\/susan-varga-wwii-holocaust-sydney-writing-love-stroke-survivor\/13985502\"\u003ehttps:\/\/www.abc.net.au\/radio\/programs\/conversations\/susan-varga-wwii-holocaust-sydney-writing-love-stroke-survivor\/13985502\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eAbout the Book:\u003c\/b\u003e\u003cbr\u003eThis compelling memoir of Susan Varga’s life across seven decades circles between Australia and Europe, activism and seclusion, everyday life and the writing life.\u003c\/p\u003e\n\u003cp\u003eShe was born into war-torn Budapest, her family escaping loss and trauma to make a new life in Sydney. But Susan makes another escape, from the narrow confines of suburbia into the arms of the exciting and contradictory world of the Sydney Push.\u003c\/p\u003e\n\u003cp\u003eAs a young woman she lives in London, Paris, Bendigo and Holland, before returning to Sydney, keen to take part in Gough Whitlam’s reformist agenda, in a powerful time of change.\u003c\/p\u003e\n\u003cp\u003eWhen she finally commits to the demands and joys of writing, and to a surprising love, her life assumes a new harmony. Fate then intervenes to throw up major challenges, testing her will to re-find the hard joys of life.\u003c\/p\u003e\n\u003cp\u003eIn the tradition of her acclaimed first memoir, \u003ci\u003eHeddy and Me\u003c\/i\u003e, \u003ci\u003eHard Joy\u003c\/i\u003e is an intimate, warm and incisive portrait of our times.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout the Author:\u003cbr\u003eSusan Varga\u003c\/b\u003e has worked in film and video and briefly as a lawyer. Her first book, \u003ci\u003eHeddy and Me\u003c\/i\u003e won the Christina Stead Award for non-fiction and was short-listed for several other awards. It was followed by the novel \u003ci\u003eHappy Families\u003c\/i\u003e, winner of the Vision Australia Talking Book of the Year and Braille Book of the Year. Then followed the non-fiction book \u003ci\u003eBroometime\u003c\/i\u003e (2001), co-authored with Anne Coombs. 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Exploring chance encounter, constructed situations and the shared authorship of lived experience, Phillips works with artists and writers, materials and ideas, writing, prose, book-works and performance. In 2019, Justy was awarded the Ruth Stephan Fellowship at the Beinecke Rare Book \u0026amp; Manuscript Library, Yale University. 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She lives on unceded Gadigal in Sydney’s inner west.\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238583046199,"sku":null,"price":29.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/2278_UP_Staging-A-Revolution_front-cover.jpg?v=1779074718"},{"product_id":"object-coach","title":"Object Coach","description":"\u003cp\u003e\u003cstrong\u003eAbout the Book:\u003c\/strong\u003e\u003cbr\u003eTom, our narrator, is a stranger in an intellectual community whose members experience the world by wondering how things are made and how they might be made differently. Instead of characters undergoing dramatic changes, Tom’s life in this world is defined by the changing plans for these things: objects that might help people overcome injuries, virtual reality experiences that induce profound nostalgia about memories, ambiguous and ordinary robots, and failed services intended to replace the function of mirrors. Tom’s job is to tell stories about the work going on in this intellectual community and to look for the unacknowledged storytelling that is already part of the world. Many of the stories Tom hears and observes involve types of people called clients, consumers and designers — all figures who in this story are bound together by the common thread of trying to make visions and aspirations tangible.\u003c\/p\u003e\n\u003cp\u003eTom listens and watches people pour their practical and imaginative energies into plans for thing-projects and in the process gives centre stage to a pervasive but oddly inconspicuous aspect of what it means to be human in the world today.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e ­\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout the Author:\u003cbr\u003eTom Lee\u003c\/b\u003e is a writer known for his interest in landscape, technology and the senses. He grew up on a farm near Orange in Central-West NSW, and lectures in the School of Design at the University of Technology Sydney. Tom was named a Sydney Morning Herald Best Young Australian Novelist in 2019 and his first novel, \u003ci\u003eCoach Fitz\u003c\/i\u003e, was longlisted for the Voss Literary Prize in the same year.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238583078967,"sku":null,"price":29.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/2329_UP_Object-Coach_front-cover.jpg?v=1779074719"},{"product_id":"alchemy","title":"Alchemy","description":"\u003cp\u003eTwo brilliant artists get together and plan a dramatic book in words and images about the twists and turns in the life cycle of a woman. From birth onwards, no topic is skirted around.\u003c\/p\u003e\n\u003cp\u003eKate Forsyth is an award-winning and bestselling author for adults and younger people. Wendy Sharpe is a visual artist with accolades and global experiences aplenty. This collaboration takes them both to new places in their creative lives.\u003c\/p\u003e\n\u003cp\u003eThe drama that Kate and Wendy create on the pages of this lush book—in a collage style—will speak particularly to women with an intimacy that carries poignant and loving memories and knowledge, too, of the best things in life. ­\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKate Forsyth\u003c\/b\u003e is the internationally bestselling author of more than thirty books. She completed a doctorate in fairytale retellings, and the novels that have come out of this fascination include the winner of the 2015 American Libraries Association Prize for \u003ci\u003eHistorical Fiction\u003c\/i\u003e, \u003ci\u003eBitter Greens\u003c\/i\u003e, \u003ci\u003eThe Wild Girl\u003c\/i\u003e and \u003ci\u003eThe Beast’s Garden\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWendy Sharpe\u003c\/b\u003e is one of Australia’s most acclaimed artists. She has been awarded The Sulman Prize, the Portia Geach Memorial Award (twice), the Archibald Prize, and a finalist in the Sulman Prize twelve times, and the Archibald Prize seven times. She has held over 60 solo exhibitions around Australia and internationally.\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238583111735,"sku":null,"price":49.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/10566-Alchemy-Cov-v5-copy-1.jpg?v=1779074720"},{"product_id":"admissions","title":"Admissions","description":"\u003cdiv\u003e\u003cstrong\u003eAbout the Book:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWe are full of worlds that can't be contained by a pill.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis groundbreaking collection documents the state of mental health in Australia, foregrounding a wide range of voices with lived experience defining themselves beyond a diagnosis.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cem\u003eAdmissions\u003c\/em\u003e showcases more than one hundred works: poems, essays, lyrics, fiction and illustrations from some of our leading writers, comedians and public figures, challenging prescribed notions of illness, recovery, treatment and trauma while reclaiming language as an act of mad pride.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eIncluding work by: Sara M. 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David is the co-editor of SOLID AIR: Collected Australian \u003c\/span\u003e\u003cspan\u003e\u0026amp;amp;\u003c\/span\u003e\u003cspan\u003e New Zealand Spoken Word (UQP, 2019) and his latest collection Case Notes (UWAP, 2020) won the 2021 Victorian Premier’s Literary Award for Poetry.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eRadhiah Chowdhury is an author, audio producer and editor living on unceded Bidjigal Land in Sydney's south-west. She is one of the co-founders of the Australian First Nations and People of Colour in Publishing Network, and was the 2019-2020 Beatrice Davis Editorial Fellow.’ As an editor, Radhiah has worked with Scholastic Australia, Giramondo, Allen \u003c\/span\u003e\u003cspan\u003e\u0026amp;amp;\u003c\/span\u003e\u003cspan\u003e Unwin and Penguin Random House. Her most recent picture book, The Katha Chest (Allen \u003c\/span\u003e\u003cspan\u003e\u0026amp;amp;\u003c\/span\u003e\u003cspan\u003e Unwin, 2021) is a 2022 CBCA Notable for Picture Book of the Year.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eMohammad Awad is a Queer\/Arab\/Muslim and Writer\/Director\/Poet\/Playwright who spends most of his time as a spoken word artist, he also writes and directs short films and visual poems such as The Flower, The Messenger and Beauty Marks. He has featured in the Sydney Writers Festival, Sydney Mardi Gras, Sydney Living Museums - After Dark,\u003c\/span\u003e\u003cspan\u003e\u0026amp;nbsp;\u003c\/span\u003e\u003cspan\u003e Sydney Festival, Red Room Poetry, Giant Dwarf Theatre, and on ABC and SBS television, ABC Radio, SBS Radio, Eastside Radio, 2SER and FBI Radio.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238583177271,"sku":null,"price":29.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/Admissions_cover.jpg?v=1779074722"},{"product_id":"abandon-every-hope-essays-for-the-dead","title":"Abandon Every Hope: Essays for the dead","description":"\u003cp\u003e\u003cstrong\u003eSHORTLISTED IN THE 2024 STELLA PRIZE!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHayley Singer's Stella Prize shortlisted book!\u003c\/strong\u003e \u003cstrong\u003eRead her interview\u003c\/strong\u003e \u003ca href=\"https:\/\/stella.org.au\/the-stella-interview-hayley-singer\/\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Book: \u003cbr\u003e\u003c\/strong\u003eCan anyone smell the suffering of souls? 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Where does the slaughterhouse begin and how can it end? \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author: \u003c\/strong\u003e\u003cbr\u003eHayley Singer writes essays about literature and ecologies, queer embodiment and activism, multispecies in\/justices and on reading and writing as worlds end and begin again. Her writing has been published in \u003ci\u003eSydney Review of Books\u003c\/i\u003e, \u003ci\u003eThe Lifted Brow\u003c\/i\u003e, \u003ci\u003eThe Monthly\u003c\/i\u003e, \u003ci\u003eCordite Poetry Review\u003c\/i\u003e, and \u003ci\u003eWriting from Below\u003c\/i\u003e. She teaches creative writing at the University of Melbourne. 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In his stunning collection of new poetry, Stuart Barnes reimagines the poetic form and fearlessly explores topics of illness, death, rape, remembrance, ecology and love.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eLike to the Lark\u003c\/i\u003e is Stuart Barnes’s accumulation of lifetime fascinations with music and sound, form and transformation. Beginning with an apparition of a doomed world brooding over itself and ending with a kvelling globe, this collection plunges into seas, scoots across countries and hurtles towards space.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author: \u003cbr\u003e\u003c\/strong\u003e\u003cb\u003eStuart Barnes\u003c\/b\u003e is a poet from Hobart. 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Delving into family trauma in a post-Holocaust context and informed by psychoanalysis, these poems explore identity and the frailty of the human and physical world. \u003ci\u003eA Treatment\u003c\/i\u003e presents a poetic reflection of family trauma in a post-holocaust context, which is grounded in these times.\u003c\/p\u003e\n\u003cp\u003eThese poems articulate the past as it intersects with the present, as well as the way the present writes over what has been before, both in human and ecological terms. The writing elucidates of a version of truth while touching on something of the ephemeral. \u003ci\u003eA Treatment\u003c\/i\u003e raises questions of identity as it speaks to the precariousness of both the human and physical world in all their incomprehensibility.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author: \u003cbr\u003eAnn Shenfield’s\u003c\/strong\u003e poetry has received various awards including the Judith Wright Poetry Prize for \u003ci\u003eYou Can Get Only So Close On Google Earth\u003c\/i\u003e, which was also a finalist for the Queensland Premier’s Literary Awards. 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You'll read new voices and hear perspectives on living in extreme geographical and climactic regions in today's Australia.\u003c\/p\u003e\n\u003cp\u003eIn the variety presented here we welcome you into the vitality of remote communities, often isolated but full of commitment and hope for the future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarie Munkara\u003c\/strong\u003e and \u003cstrong\u003eKtima Heathcote\u003c\/strong\u003e at Tennant Creek in the Northern Territory.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAli Cobby Eckermann\u003c\/strong\u003e and \u003cstrong\u003eLionel Fogarty\u003c\/strong\u003e in Anangu Pitjantjatjara Yankunytjatjara (APY) Lands in South Australia.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKim Mahood\u003c\/strong\u003e and \u003cstrong\u003eTerri-ann White\u003c\/strong\u003e in Mulan in Western Australia.\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238583734327,"sku":null,"price":27.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/UWA_Desert_Writing_Front_Cover_740x_e8a03d1d-645f-43ce-9572-ff8499affc06.webp?v=1779074742"},{"product_id":"ekh","title":"Ekhō","description":"\u003cp\u003e\u003cstrong\u003eAbout the Book: \u003cbr\u003e\u003c\/strong\u003e\u003ci\u003eEkhō\u003c\/i\u003e is a poem in three parts. Through poetic narrative, this work considers the ‘echo’ as a social and historical phenomenon. From Echo, the nymph of Greek mythology whose voice was stolen by the gods, through to the advent of the Amazon Echo smart speaker, the echo has been described as a condition of voicelessness, unfulfilled desire, loss and entrapment. These poems reconsider echoing as a poetic practice, and as an orienting device that tunes the world into itself. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003cbr\u003e\u003c\/strong\u003e\u003cb\u003eRoslyn Orlando\u003c\/b\u003e is an artist, writer and gardener based in Melbourne on Wurundjeri Country. Her writing and artistic works explore relationships between language, history and technology. She studied Journalism at the University of Sydney, and Arts Politics at Tisch School of the Arts, New York University.\u003c\/p\u003e\n\u003cp\u003eISBN: 978-0-6458745-0-1\u003c\/p\u003e\n\u003cp\u003eCover artwork: Damien Laing, \u003ci\u003ePlenty Highway\u003c\/i\u003e, 2022\u003c\/p\u003e","brand":"Upswell Publishing","offers":[{"title":"Default Title","offer_id":42238583767095,"sku":null,"price":24.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0626\/7771\/2951\/files\/Upswell-2024_Ekho-Poetry_front-cover.jpg?v=1779074744"},{"product_id":"fat-chance-journalism-poems","title":"Fat Chance: Journalism Poems","description":"\u003cp\u003e\u003cstrong\u003eAbout the Book: \u003cbr\u003e\u003c\/strong\u003eIn \u003ci\u003eFat Chance\u003c\/i\u003e, poet and publisher Kent MacCarter investigates variations on how non-fiction can be reported, taking an uncanny look into sole survivors of major airline crashes, a memoir approach at the surgical complication known as gossypiboma – where an instrument is left behind in a body cavity after surgery – a recount of marketing tactics for children’s toys and more.\u003c\/p\u003e\n\u003cp\u003eColumns of justified prose lure you into the familiar channels of reporting facts; you could be mistaken for believing there is no poet or poetry here at all. Yet, the primary purpose of \u003cem\u003eFat Chance\u003c\/em\u003e is not the transmission of information, and it thrives on contradiction. Contrary to the title’s colloquial meaning, it offers you ample possibility. Here, the journalistic and the poetic collide to liberate language from truth so you can wander in the wide, bountiful space between.\u003c\/p\u003e\n\u003cp\u003eEmotion is denuded from the stories, forcing you to fill the void with your own suppositions and terrors … rubbernecking at yourself on why you are uncomfortably allured. With its irony and absurdity dialled up to the sublime, you will be confronted by this feel-bad book of the year.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author: \u003cbr\u003e\u003c\/strong\u003e\u003cb\u003eKent MacCarter\u003c\/b\u003e is a poet and publisher based in Castlemaine, Victoria. His publishing career began at University of Chicago Press in 2000; since then, he has worked with educational publishers and, for the past 12 years been the managing editor of Cordite Poetry Review and for 8 years publisher of Cordite Books. His writing has been published widely and includes four poetry collections. 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It is at once a requiem for a Levantine past gone sour – from the innocent 1970s, through September 11 and its aftermath, to the cataclysms of the Arab Spring and the Israel-Palestine conflict – and a tribute to women of his family – “weavers whose fabric of choice is hope, they were hard at work, at night as in daytime, carving out viable lives, ones in which they loved and were loved aplenty”.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003cbr\u003e\u003c\/strong\u003eAbbas El-Zein has written two acclaimed works of fiction – a novel, Tell the Running Water and a collection of short stories, The Secret Maker of the World – as well as an award-winning memoir, Leave to Remain. Abbas has published essays and short stories about war, identity and displacement for HEAT Magazine, The New York Times, The Guardian, The Age, Meanjin, Overland and Tank Magazine. 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When she found it difficult to read or write.\u003c\/p\u003e\n\u003cp\u003eIn this wide-ranging collection of essays Boland moves on from the person she was and writes to understand who she is now. She swims with sharks, falls in love with a rabbit, and watches her father fight for his life. She is a newcomer in a small regional town and a mother, but what else? She writes about family and friends, life and mortality, memory and forgetting, and along the way she finds her voice again.\u003c\/p\u003e\n\u003cp\u003eThis book is for anyone who has felt unmoored. It is about the unremarkable in-between, the way we try to build a home from nothing, the dirty dishes and the loads of washing. The uncertainty and the love. 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How have their actions and choices left their mark on us? The instigation for these questions is an awareness of precariousness—people, places and histories on the brink. This is what gives George Kouvaros’s essays their sense of occasion and responsibility—to those who came before and those still to come. The outcome is a form of writing that is deeply moving and alert to the tension between survival and transformation, preservation and appropriation that defines the engagements with our forebears.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003c\/strong\u003e\u003cbr\u003eGeorge Kouvaros is Professor of Film Studies in the School of the Arts and Media, UNSW. 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Cosmos Magazine named him one of 50+ Indigenous People Changing the World. Clint releases music under the name Maatakitj.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKylie Bracknell \u003c\/b\u003eis an actor, director, and writer responsible for ground-breaking productions including Hecate, which \u003ci\u003eThe Australian\u003c\/i\u003e lauded in its ‘Best of 2020’ year-in-review, and the Noongar dub of Bruce Lee’s film ‘Fist of Fury’ retitled ‘Fist of Fury Noongar Daa’. 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And how and why do we love them so much?\u003c\/p\u003e\n\u003cp\u003eAnne Coombs spent a lifetime working to understand the profound answers that come from these two deceptively simple questions. Before her death in late 2021 she researched the topic extensively and reflected deeply on her own experiences with animals, both domestic and in the paddocks. The animals in her life were privy to her deepest and darkest emotions: her despair, her tears and her love.\u003c\/p\u003e\n\u003cp\u003eOpening with the story of Anne’s childhood familiar, Elsie the goat—and introducing Lena the donkey, her beloved dogs, Charlie the cat, the cows on the farm, and Vincent the horse—this tender book takes us on an expansive journey that is part personal memoir, part insightful research, and part noble call to action.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eOur Familiars\u003c\/em\u003e Anne has left us with a beautiful meditation on the awe-inspiring responsibility we take on with other living creatures: from their containment and loss of freedom, to our intense and mysteriously mutual love.\u003c\/p\u003e\n\u003cp\u003eWith wit, humour, and insight, she asks us to feel wonder as we watch how our animal companions live, and to empathise deeply with Our Familiars.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author: \u003cbr\u003e\u003c\/strong\u003e\u003cb\u003eAnne Coombs \u003c\/b\u003ewas a journalist, author, political activist, and philanthropist. 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